1800 BC Egyptian Relic filmed moving on its own.

Video: The curse of the spinning statue at Manchester Museum.

The 10-inch tall relic, which dates back to 1800 BC, was found in a mummy’s tomb and
has been at the Manchester Museum for 80 years.

An ancient Egyptian statue has spooked museum bosses – after it mysteriously started to
spin round in a display case.

The 10-inch tall relic, which dates back to 1800 BC, was found in a mummy’s tomb and
has been at the Manchester Museum for 80 years.

But in recent weeks, curators have been left scratching their heads after they kept finding
it facing the wrong way. Experts decided to monitor the room on time-lapse video and were astonished to see it clearly show the statuette spinning 180 degrees – with nobody going
near it.

The statue of a man named Neb-Senu is seen to remain still at night but slowly rotate
round during the day.

Now scientists are trying to explain the phenomenon, with TV boffin Brian Cox among
the experts being consulted.

Scientists who explored the Egyptian tombs in the 1920s were popularly believed to
be struck by a ‘curse of the Pharaohs’ – and Campbell Price, a curator at the museum
on Oxford Road, said he believes there may be a spiritual explanation to the spinning

statue.

Egyptologist Mr Price, 29, said: “I noticed one day that it had turned around. I thought
it was strange because it is in a case and I am the only one who has a key.

“I put it back but then the next day it had moved again. We set up a time-lapse video and,
although the naked eye can’t see it, you can clearly see it rotate on the film. The statuette
is something that used to go in the tomb along with the mummy.

“Mourners would lay offerings at its feet. The hieroglyphics on the back ask for ‘bread,
beer and beef’.

“In Ancient Egypt they believed that if the mummy is destroyed then the statuette
can act as an alternative vessel for the spirit. Maybe that is what is causing the movement.”
Other experts have a more rational explanation – suggesting that the vibrations caused by the footsteps of passing visitors makes the statuette turn.

That’s the theory favoured by Professor Cox – but Campbell said he was not convinced.

“Brian thinks it’s differential friction,” he said. “Where two surfaces, the serpentine
stone of the statuette and glass shelf it is on, cause a subtle vibration which is making the
statuette turn.

“But it has been on those surfaces since we have had it and it has never moved before.
And why would it go around in a perfect circle?”

Campbell is urging members of the public to come along and take a look for themselves.
“It would be great if someone could solve the mystery,” he added.

Article > Video: The curse of the spinning statue at Manchester Museum

Article Courtesy of  > The Manchester Evening News

© UK Paranormal Events 

www.ukparanormalevents.com

WWI Battlefield Paranormal.

Canadian historian unearths soldiers’ spine-tingling ghost stories from First World War.


One of Canada’s top military historians has published the first serious study of the
First World War’s eeriest phenomena: frontline soldiers’ accounts of ghosts and
other “supernatural experiences” amid the bloody battles of Europe almost a century
ago.

Award-winning author Tim Cook, the Canadian War Museum’s leading expert on the
1914-18 conflict, has unearthed a host of poignant and spine-tingling stories involving
bizarre apparitions, life-saving premonitions and other unexplained happenings that —
beyond the mysteries that linger — shed fresh light on “the unending mental and physical
strain of fighting on the edge of No Man’s Land.”

Writing in the Journal of Military History, the field’s most prestigious scholarly publication,
Cook describes how the knife-edge existence of Canada’s troops in battles such as Passchendaele and Vimy Ridge — perhaps fuelled by widespread interest in the occult and spiritualism in the early 20th century — led some men to believe they’d seen dead comrades resurrected and wandering the scarred landscapes of the Western Front.

In other cases, soldiers claimed to have seen angels hovering over battlefields or felt an “otherworldly” presence that somehow silenced enemy guns to allow escapes from
vulnerable positions.

“As a threshold borderland, the Western Front was a place for such spectral thinking and
haunting, where the strange was made ordinary, where the safe was infused with danger,
where death was natural and life fleeting,” writes Cook, author of an acclaimed, two-volume
history of the First World War. “The unnatural, supernatural, uncanny and ghostly offered
succour to some soldiers, who embraced these ‘grave beliefs’ to make sense of their war
experience.”

Cook vividly describes how the living and the dead were gruesomely mingled in the
muddy trenches of wartime France and Belgium, where fighting men “became martyred
corpses in the blink of an eye” and the unrelenting carnage encouraged a heightened
awareness of the thin line between life and afterlife — or, at times, a perceptual blurring
of the line.

“Grimy, exhausted soldiers, covered in mud, asleep on a fire step or in a funk hole could
easily be mistaken for the dead,” Cook observes. “It was not lost on the soldiers that they
seemed to be digging extended graves — the trenches — to protect themselves from
death-dealing
artillery shells. And, in sick irony, the artillery bombardments often buried the living and

disgorged the dead.”

One well-known story from the war is highlighted in Cook’s study: Cpl. Will Bird’s
moving description of the night his brother’s “ghost” saved him from certain death. Bird, who had a postwar career as a Nova Scotia journalist and published his war memoirs under the title Ghosts Have Warm Hands, had written about a night after the 1917 Battle of Vimy Ridge when he was suddenly stirred from deep slumber under a tarp he’d been sharing with two fellow soldiers near the
front line.

“Before dawn, warm hands shook him,” Cook recounts. “Wiping away sleep, he looked
with amazement at his brother Steve,” who had been reported missing in action in 1915.
“Steve led him through some ruins, when he suddenly rounded a corner and disappeared.”

Cpl. Bird, settled for sleep in the new location, dismissed his brother’s ghostly
appearance as a “hallucination.” But in the morning, he was stunned to learn
that the two other soldiers
under the tarp had suffered a “direct hit from a high explosive shell” and were
“dismembered beyond all recognition.”

Another Canadian soldier wrote to his mother that, “One night while carrying bombs,
I had occasion to take cover when about twenty yards off I saw you looking towards
me as plain as life.” Dumbstruck, he “crawled nearly to the place where your vision
appeared” as a German shell slammed into the place he had just left behind.

“Had it not been for you, I certainly would have been reported ‘missing,’” the soldier
wrote. “You’ll turn up again, won’t you, mother, next time a shell is coming?”

Cook, who also teaches history at Carleton University, said his research has always
focused on “how these young men coped and endured at the front.”

Embracing magical or mystical explanations for what happened during the war, he
told Postmedia News, “was a common response for some soldiers who lived in a
space of destruction and death. As I read the memoirs, letters, and diaries of soldiers
I kept encountering the uncanny, the supernatural, and even the spectral.”

He added that while Bird’s account of being delivered from harm by his lost brother is
a staple of Canadian war narratives, other such “crisis apparitions” had not been well
documented and “no historian really has attempted to understand what that central
story meant to Bird.”

While researching the subject, Cook said, he encountered those kinds of stories “over
and over again. I kept coming back to the ways that soldiers dealt with death — by
being callous towards it, or embracing it, or finding ways to live with it.”

Article > Canadian historian unearths soldiers’ spine-tingling ghost stories from First World War

Article Courtesy of The Vancover Sun

© UK Paranormal Events

www.ukparanormalevents.com

Picture Courtesy of  Handout/George Metcalf Archival Collection